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Strong would one day tell an interviewer that actors have to create their own projects that embody their sense of creative integrity: One drop of ocean is still the ocean, and one moment of truth in the theater is still theater. To make his film a cup of that truth, Newman reached out to up-and-coming craftsmen such as Arnold Ornitz, who shot the film as his director of photography, and who would later shoot Serpico and The Chosen. He hired production designer Richard Sylbert who had designed Kazans Baby Doll. Newman had been onstage for months in Kazans production of Sweet Bird of Youth when he went to work on his film

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